featured artist

Lou Harrison

“Alas, the instruments are all tuned to twelve tone equal temperament. Except now that's not true anymore. There're some that can do other tunings, and that you can adjust, and things like that, which is wonderful. I'm used to—in my students—listening to computer scores, and to keyboard scores electronically, and I don't blame them, you know. They don't have access to a symphony orchestra. So,they're only hearing part of their music, because the compression is such, that you don't hear a sustained cello or things like that. But nonetheless, I don't object, because it seems to me, that's the best thing for them to do if they are not going to take up, for example, a whole other kind of music...”

- In conversation with Alan Baker, 2002